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2024-04-17 02:55:23 更新 / 6.0分/喜剧/美国/1963
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鼓上蚤时迁 2010人形净琉璃四十七浪人之刃跨国大追捕：恐怖的伊凡飞侠哥顿与母亲的蜜月一村之长之生日快乐巨型漏洞妖医馆恋爱假期干柴烈火2002当你约会的时候听说爱情来过发光体2009我的死神女友无名者的攻击重启地球失控玩家时栈中的指针毒液2屠杀开始小屋恐怖列车东京食尸鬼 真人版东京食尸鬼 真人版2恶灵困扰天大的事LASTMAN-全盲搜查官-FAKE／TRUTH生活脉动万千所爱密探2025
Hallelujah the Hills d’Adolfas Mekas États-Unis 1963 35mm 82’ nb vostf avec Peter Beard, Marty Greenbaum, Sheila Finn, Peggy Steffans, Jerome Hill, Taylor Mead Adolfas Mekas arrive aux États-Unis avec son frère Jonas en 1949. Ils fondent Film Culture, une revue consacrée au cinéma indépendant. Nourri par les films qui l’ont précédé, Adolfas réalise Hallelujah the Hills qui témoigne de cette culture en même temps que d’une immense liberté que l’on retrouvera dans tous les films du New American Cinema. « Tourné suivant le bon vieux principe d’une idée par plan, ses collines embaument de fraîche ingénuité et de gentillesse rusée. L’effort physique y côtoie hardiment le gag intellectuel. On s’émeut et on rit d’un rien un buisson mal cadré, une banane dans la poche, une majorette dans la neige… » Jean-Luc Godard, Les Cahiers du cinéma, 1963 « Créons un territoire à nous, loin de l’Amérique des buildings et des rêves de puissance, dans des forêts laissées vierges par le tout pouvoir. Vivons l’instant et les sensations, les possibles fugues de l’amitié et de nos rêves […]. Revenons aux fonds précieux de nos rêves et de notre culture (du coutumier aux plus grands films en passant par le folklore), à l’origine de la création, au désir qui, seul, motive l’artiste et lui permet de s’affranchir de diverses contraintes, de libérer l’esprit et le corps, au prix de quelques moments d’anarchie, qui sont le gage d’une virginité féconde. Improvisons notre vie et notre cinéma, jusqu’à (en) mourir pour lui. » Frédérique Devaux, « Hallelujah the Hills, Petit traité d’improvisation ludique », livret du DVD édité par Re Voir
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