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2024-04-17 01:58:51 更新 / 4.0分/恐怖/美国/1968
热门搜索：狂野街头完整版免费观看、狂野街头高清在线观看、狂野街头免费在线观看
剿匪女侠樊梨花海云台我是女特警飞虎1996共助2：国际超级天兵之机车班长走向新生活超新约全书赤焰战场2赤焰战场美女与野兽真爱一夜情遭遇海明威西贡的童话舞力对决2手册阿法隆的迷雾氮气马戏团未知土地星际旅行6：未来之城午夜出租真假僵尸无牙僵尸恐怖旅馆密宗威龙制服制服2013别岁利休利维坦
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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