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狂野街头
分类：恐怖片地区：美国年份：1968
更新：2024-04-17 01:58:51 - HD中字支持：77%
主演：谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·
导演：Barry,Shear
简介：Deserves recognition as an interesting m...详情
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隐侠之关阳镇思绪膨胀扫黑英雄茅山卸甲归来将军在上之芙蓉密案富贵狂花宝藏圣诞节宝贝有戏之小仙女完全没问题等爱2020去火星的男人我爱唐人街温柔陷阱兔子和蜥蜴P1H新世界的开始魔盒启示录叛乱镭射小队2外星人驾到燃烧的亡魂暗夜鬼抓床恐怖之家三十极夜2：黑暗的日子噬血芭蕾续·终物语上卷续·终物语下卷四十九天的食谱江边旅馆证人
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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