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德拉克的回归
分类：剧情片地区：其它年份：1968
更新：2024-04-17 05:39:54 - HD中字支持：73%
主演：拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦
导演：爱德华·格莱纳
简介：与Stefan Uher和Elo Havatta一样，Eduard Grecne...详情
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行者武松被时间遗忘的土地蜘蛛侠蝙蝠侠：缄默蜀山降魔传雷蒙纳多·乔龙少爷警察结婚记警察与女兵警察在纽约恋途未卜真人版甩尾王2爱你，西蒙新流星蝴蝶剑某日某月粤语纽约巨人白衣男子秘密武器隐形人2020思维游戏索命牙仙预兆死亡青少年直播鬼戏院圣克莱尔七十夏目友人帐结缘空蝉追鹰日记马兰花开2018迷蝴蝶
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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